PATERFAMILIAS - ορισμός. Τι είναι το PATERFAMILIAS
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Τι (ποιος) είναι PATERFAMILIAS - ορισμός

LEGAL AND FACTUAL HEAD OF ANCIENT ROMAN HOUSEHOLD, OWNER OF ALL GOODS AND SLAVES, SOLELY MALE
Paterfamilias; Patria Potestas; Patresfamilias; Paterfamiliases; Patria potestas; Pater-familias; Pater Familias; Paterfamilius
  • Bronze genius depicted as ''pater familias'' (1st century AD)

Paterfamilias         
·noun The head of a family; in a large sense, the proprietor of an estate; one who is his own master.
paterfamilias         
[?pe?t?f?'m?l?as, ?pat?-]
¦ noun (plural patresfamilias ?pe?tri:z-, ?patri:z-) the male head of a family or household.
Origin
L., lit. 'father of the family'.
patresfamilias         
plural form of paterfamilias.

Βικιπαίδεια

Pater familias

The pater familias, also written as paterfamilias (plural patres familias), was the head of a Roman family. The pater familias was the oldest living male in a household, and could legally exercise autocratic authority over his extended family. The term is Latin for "father of the family" or the "owner of the family estate". The form is archaic in Latin, preserving the old genitive ending in -ās (see Latin declension), whereas in classical Latin the normal first declension genitive singular ending was -ae. The pater familias always had to be a Roman citizen.

Roman law and tradition (mos majorum) established the power of the pater familias within the community of his own extended familia. In Roman family law, the term "Patria potestas" (Latin: “power of a father”) refers to this concept. He held legal privilege over the property of the familia, and varying levels of authority over his dependents: these included his wife and children, certain other relatives through blood or adoption, clients, freedmen and slaves. The same mos majorum moderated his authority and determined his responsibilities to his own familia and to the broader community. He had a duty to father and raise healthy children as future citizens of Rome, to maintain the moral propriety and well-being of his household, to honour his clan and ancestral gods and to dutifully participate—and if possible, serve—in Rome's political, religious and social life. In effect, the pater familias was expected to be a good citizen. In theory at least, he held powers of life and death over every member of his extended familia through ancient right. In practice, the extreme form of this right was seldom exercised. It was eventually limited by law.

In the Roman tradition, the term has appeared mostly in legal texts, and to a lesser extent, in literary texts. In both types of discourses, the term has been most commonly used to refer to the “estate owner,” a title considered conceptually separate from his familial relations.

Παραδείγματα από το σώμα κειμένου για PATERFAMILIAS
1. He is emotionally truculent, quick to anger, irascible, rather forbidding – a Victorian paterfamilias.
2. Although Kelner enjoys his role of larger–than–life paterfamilias, his is a dysfunctional, Soprano–style family.
3. She could, at a whim, blow down the house of cards that the paterfamilias had painstakingly built.
4. Arthur becomes a doctor, a writer, an avid golfer, and a paterfamilias; George –– ever insecure about his place in society –– remains a bachelor, sets up a legal practice, and writes a pamphlet about his passion: railroad law.
5. This explains why I have not had a kiss from my nearest and dearest this past fortnight and why I eat at the far end of the table in solitary majesty like some Victorian paterfamilias (still protesting, between barks and splutters, that "I‘m fine".) Ordinarily, I regard myself as a truthful person, which the great essayist Harold Nicolson defined as "someone who, when they tell a lie, is careful not to forget they have done so, and who takes infinite precautions to prevent being found out". I plead guilty to saying it‘s "nice" to see people I detest, telling female acquaintances they look gorgeous when they look godawful and reassuring fellow authors that I‘ve enjoyed books I found unreadable. (As the critic Cyril Connolly wryly observed: "I would rather praise my friends‘ books than read them.") In the media game, one is always meeting directors whose latest film one has hated or actors whose opening night has sent one to sleep.